Summer Solos #3: This Wednesday @ 6:30PM!
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Summer Solos #3: This Wednesday @ 6:30PM!
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Auditions for Chatham Playhouse’s 27th Annual Jersey Voices One-Act Festival
The Chatham Community Players are committed to diverse and inclusive casting, and performers of all races, ethnicities, and gender identities are encouraged to audition. The Board of Trustees requires all performers be fully vaccinated prior to the first performance date. Questions may be sent to jerseyvoicesnj@gmail.com.
Sides and audition forms will be available on Monday, May 10, on the CCP website. Performers are encouraged to print and bring their audition form and their own copies of sides of the pieces they are auditioning for, but auditions forms sides will also be available at the theater.
Presented One-Act Plays are:
Bernice’s Birthday
by Brigid Amos
Directed by Joann Lopresti
Scanlon
A cantankerous husband takes his wife of many years out for
birthday celebration. What to order? Outdoors? Indoors? The second he steps
away, a young attractive musician steps in to serenade her. Trouble brews.
• Lloyd (M, 70s +) Bossy to nasty
• Bernice (F, 70s+) Compliant, annoyed, disappointed,
strong
• Musician (M) Nonspeaking, plays guitar and sings (both are great, one or the other is acceptable)
The Villager Photo
by Charles Grayson
Directed by William
Michael Harper
In this absurdist comedy, a recent Pulitzer-prize winning
photographer battles his conscience during a clandestine rendezvous with a
high-level intelligence officer who demands the secret behind a viral photo.
• Reed (M or F, 20s-40s) A young, up-and-coming photographer who lets their conscience get in the way of success. Comedic chops a must.
• Gideon (M or F, 40s-70s) A mysterious character reminiscent of a film noir gumshoe. Think classic Humphrey Bogart.
My Dad is Bald
by Minjae Kim
Directed by John A.C.Kennedy
Two high
school friends grapple with each other’s preconceptions about family, image,
childhood loss, the evolution of relationships, the value of the present
moment, and the cultural implications of a really short haircut - all during a
half-court game of basketball.
• 2 Asian Males, (14-17), who can bounce a basketball
Cloud Illusions
by Amber Kusching
Directed by Arnold Buchiane
A chance
meeting between two people can have an effect on both of their lives.
• Joan (F, early 20s)
• Mitchel (M, late 30s-early 50s) Respectable
looking
A Dave with Destiny
by Ken Preuss
Directed by Elizabeth Rogers
Dave and Destiny meet on a street corner and struggle to discover why they both recognize each other. Are they crazy? Have they met before? Is there a deeper connection? Perhaps all three.
• Dave (M, 25-55) Somewhat straight-laced guy. The kind of guy you could meet at a party and easily forget.
• Destiny (F, 25-55) Free spirit with a bit of an edge
A Benevolent Alliance of Mourners
by Ken Preuss
Directed by
Lionel Ruland
Daniel, home from college for the funeral of a friend, and
Ellie, hired to sing at the service, meet by chance outside the church,
conversing, confessing, and connecting in unexpected ways.
• Ellie (Female presenting. Around 20 years old) Sarcastic but sincere. Disaffected by years of singing at funerals, and perhaps wise beyond her age.
• Daniel (Male presenting. Around 20 years old) Out of
sorts by the death of a friend. Uses humor to hide his pain.
Bigger Than Pretend
by Robin Rice
Directed by Jackie Jacobi
A homeless
couple uses their imagination to dream away their circumstances; but some
challenges are too great, even for make-believe.
• Wadsworth (F, 40s-60s) Imaginative. Chatty. Homeless. Remington's significant other.
• Remington (F, 40s-60s) Reserved. Depressed. Homeless.
Wadsworth's significant other.
REVIEW: CSC'S WORLD PREMIERE TURNING ADDRESSES ANTIPATHY TOWARD WOMEN IN OLYMPIC SPORTS
By Jane Primerano
The latest result of the Centenary Stage Company’s Women Playwrights Series made its world premiere in a socially-distanced Sitnik Theater at Centenary’s Lackland Center on Feb. 25.
While it was strange to sit in the Sitnik at less than half capacity and surrounded by yellow caution tape, the unusual circumstances didn’t take anything away from Darrah Cloud’s Turning.
Turning in this case is a term for gymnastics that this reviewer had to look up. Turners were members of German-American gymnastics clubs called turnverein. The clubs existed from the early 19th Century and helped German immigrants assimilate in the New World.
These “turners” were three young women on their way to Germany. They were the first US Olympic Gymnastic Team.
Women in sports were pretty much invisible until Babe Didrikson, one of history’s best all-around athletes, burst onto the scene in the early 1930s.
Cloud was commissioned to write a play about some resident of Hackettstown and, when she discovered Ada Lunardoni, she also found just how little information exists on women in athletics.
When she did find out more about Lunardoni, she realized her story is an immigrant’s tale. Here is a young woman remembering her voyage west from Italy. Remembering coming through Ellis Island in her Easter dress. Now, she is sailing back to represent her adopted homeland during a time of Depression and upheaval.
Today, we think of Olympic athletes traveling across the country to train as almost a full-time job. These young women had regular jobs, Ada was a seamstress and had to train after work in backyard gyms in Newark. These women knew their sport was not going to lead to fortune. It didn’t even lead to lasting fame. Cloud had to talk to Lunanrdoni’s family and the families of the other athletes to fill out their stories.
One particular anecdote stuck with her and formed the basis for the play.
When Americans today think about the 1936 Olympics, they think of Jesse Owens.
At the Olympics Hitler believes would showcase the superiority of the Aryan race, Owens won four gold medals. A bad day for the Nazis, to say the least.
The anecdote Ada Lunardoni told her grandchildren is the basis of the second half of this one-act play, and it is the best reason to see it.
Much of the play involves the three young women at the Captain’s Ball on the ship, pointing out the young men they wish would ask them to dance, obsessing over their routines, complaining about having to wear high heels.
Ada and Jennie are Italian, and they let you know it: loud, occasionally semi-profane and very much girls of their time. The third teammate, Mary, is Irish Catholic and still emotionally under the thumb of the nuns who educated her.
The girls punctuate their discussions with cartwheels, flips and splits, as well as with rather a lot of gin.
Taylor Congdon is Ada. She’s believably a Jersey girl who works hard and plays hard and says what she thinks. Ally Morgstrom is Mary Wright (Centenary Stage regulars will recognize her from Hitler’s Tasters). She plays the timid, ridden-with-Catholic-guilt “turner” with precision. Emily Williams is Jennie Caputo, who may or may not be gay (queer in the jargon of the day). Her tough act is performed really well. (Right: Ally Borgstrom as Mary, Taylor Congdon as Ada, Deonté Griffin-Quick as Jesse Owens, and Emily Williams as Jennie. Photo credit Christopher Young.)
The only other character is Deonte Griffin Quick’s Jesse Owens. He spends the early portion of the play running on the deck and silently noticing the girls, sometimes with quite a bit of curiosity. But later, he becomes an integral part of the crossing and the play.
All the actors were perfectly cast—and not just because of their athletic prowess. The three women interact flawlessly, and Quick is believable as the athlete Owens.
The set is spare compared to previous Michael Imhoff designs. It’s the deck, with a rail, lights and chairs. But it fits the show flawlessly, as Imhoff’s sets always do.
The gymnasts talk a lot about wanting to dance with the male athletes, and eventually, they dance to choreography by Director Lea Antolini-Lid with an assist from local ballroom dance instructor Joshua Belverio. The elegant dance moves that don’t interfere with the dialogue.
Almost everything at CSC is worth seeing, but Turning is particularly relevant. It not only tells the story of a former Hackettstown resident whose life is unknown to most people there but it also tells a story about how society has changed. And some ways it hasn’t.
The show runs through March 7. For information and tickets, go to http://www.centenarystageco.org.
NOTE: This review has been updated on March 3, 2021, to reflect the role of Lea Antolini-Lid as the production's choreographer with an assist from ballroom dance coach Josh Belverio.
The JOCUNDA MUSIC, FILM & THEATRE FESTIVAL: The Destination for Creative Minds
The Right Way
WHEN: Sunday, January 10, at 8PM EST
WHERE: Zoom
TICKETS: $15.00 to benefit Riant Theatre. After registering, you will receive a confirmation email containing information about joining the webinar. The reading will be followed by a talkback with the artists moderated by Van Dirk Fisher, Founder and Artistic Director of the Riant Theatre and producer of the Jocunda Festival.
To obtain tickets in advance go to: https://us02web.zoom.us/webinar/register/WN_CADXO1icQfqAHs2o81NuKg
Young playwright Samantha Hahn has written a school-set comedy filled with wacky characters, word play, and little lessons as an aspiring teacher (played by Broadway Star Rachel Zatcoff) tries to find her way through a maze-like school.
Straight from her novel debut of On the Roof: A Look inside Fiddler on the Roof in Yiddish, Samantha Hahn is thrilled to present her One-Act in The Jocunda Festival’s Virtual Play Reading Series before it hits the Riant Theatre in the Strawberry One-Act Festival. Inspired by some of her favorite books, Alice in Wonderland and The Phantom Tollbooth, Hahn writes a play that is sure to sweep up audiences in an abundance of joy and silliness.
The Right Way will star Rachel Zatcoff (Broadway: The Phantom of the Opera, Off-Broadway: Fiddler on the Roof in Yiddish, International Tour: West Side Story) as Riley, Antoine L. Smith (Broadway: The Color Purple, Carousel, Miss Saigon, Memphis, MJ), as Desk Attendant, Mary Illes (Broadway: The Music Man, The Scarlet Pimpernel, Steel Pier, She Loves Me, The Phantom of the Opera) as Al.
The live one-act play reading will also star Suri Marrero (Broadway: Frozen, The Lion King), Akira Golz (Broadway: Matilda), Sophie Knapp (Broadway: Once), Lauren Thomas (Off-Broadway: Fiddler on the Roof in Yiddish), Jodi Snyder (Off-Broadway: Fiddler on the Roof in Yiddish), Conor McShane (Off-Broadway: I Spy a Spy), Kayleen Seidl (Off-Broadway: Fiddler on the Roof in Yiddish), Raquel Nobile (Off-Broadway: Fiddler on the Roof in Yiddish), Jasmine Rogers (Regional: Becoming Nancy), and Peyton Gifis (Film: A Very Quarantwinned Christmas). Rounding out the cast are the up-and-coming talents from Manhattan School of Music: Subiya Mboya, Paul Esswein, Jack D’Emilio, and Alesha Jeter.
Playwright Samantha Hahn is best known for her acting
career voicing Trinket the unicorn on Nickelodeon’s Nella the Princess
Knight series and portraying Beylke in the critically acclaimed musical
Fiddler on the Roof in Yiddish. Her novel debut On
the Roof: A Look inside Fiddler on the Roof in Yiddish details her
behind-the-scenes experience as the youngest daughter in Joel Grey’s Yiddish Fiddler.
She is a current college student at Manhattan School of Music where she
studies under Randy Graff, Boyd Gaines, Robin Morse, David Loud, Erin Dilly,
and more. To learn more about the playwright, visit her official website: https://www.sammyhahn.com/
To learn more about the JOCUNDA FESTIVAL visit https://rcl.ink/Sz0
To submit your play for consideration for the Play Reading Series visit https://rcl.ink/GKw
October 6 - November 2
For more information visit http://www.lunastage.org or email info@lunastage.org
My First Time
WHEN: Monday, October 12th, at 8pm
WHERE: Zoom
Luna Stage Company has announced the world premiere of Jenny Lyn Bader’s one-act play with a star-studded cast that includes Drama Desk Award winner
Isabel Keating and SAG Award winner Alysia Reiner.
My First Time tells tales of political initiation that reverberate over years, interweaving scenes from three chronological eras as it spans half a century in twelve minutes.
The one-act will be directed by Luna's Artistic Director Ari Laura Kreith, with a live discussion to follow.
The cast will be Giuliana Carr (Mrs. Stern Wanders the Prussian State Library, Luna Stage); Pauline Chalamet (The King of Staten Island, dir. Judd Apatow); karen Eilbacher (Fun Home, Bway National tour); Jevonnah Mayo (Mourning Sun, Kampala Int'l Theatre Festival), Isabel Keating (Wicked, Broadway); and Alysia Reiner (Orange is the New Black).
This new play is part of Luna Stage's Voting Writes Project, which includes world premiere plays, films, a concept album, and virtual events designed to inspire civic engagement. All events are free and open to the public via interactive livestream on Luna Stage's Facebook and YouTube pages. Previous performances can be viewed on Luna’s website and IGTV.
"These stories are revelatory and emboldening,” said Maxim Thorne, Managing Director of The Andrew Goodman Foundation, who collaborated with Luna Stage on the project’s development.
Bader's work was last seen at Luna Stage in fall 2019, with the world premiere of her historical drama Mrs. Stern Wanders the Prussian State Library, about the arrest of Hannah Arendt in 1933 Berlin, also directed by Kreith.
Voting Writes is created in collaboration with the Andrew Goodman Foundation with support from the National Endowment for the Arts. All Voting Writes events are open and free to the public.
A complete calendar can be found at https://www.lunastage.org/voting-writes.
About Luna Stage
Luna Stage
develops and produces vibrant plays about local and global experiences. Firmly
rooted in New Jersey's Valley Arts District - a crossroads of cultures - Luna
brings its communities together for artistic events that spark conversations
and create understanding and change.
Luna Stage is the recipient of the 2019 People's Choice Award for Favorite Small Theatre in New Jersey. Luna has contributed to the development of over 100 new works for the stage, many of which premiered at Luna and have gone on to be produced in New York, regionally and internationally.
As producer, innovator, and educator, Luna is dedicated to eliminating barriers to participation and allowing all community members to nurture their own creativity and vision. Luna offers classes for children and adults, as well as opportunities for early-career and established theatre artists to develop and incubate new work.
Luna Stage | 555 Valley Road, West Orange, NJ 07052
The Featured One-Acts:
Producers: Gus Ibranyi and Leslie Gayle Williams
Funding has been made possible in part by funds from Morris Arts through the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts.
Submit your Play to the Strawberry One-Act Festival
WHEN: Early Deadline is September 30, 2020. Regular Deadline is October 30, 2020. Plays will be notified of acceptance by November 15, 2020.
The Festival will run from January 2021 - March 30, 2021
All submissions are done through FilmFreeway.com.