Monday, October 16, 2017


Join us Saturday, October 21, for an Audio Described and Open Caption performance of Shakespeare in Love.

One hour prior to the 2:00 p.m. matinee, there will be a half-hour sensory seminar at the Theatre.

For tickets and more information, please visit or call the Box Office at 973-408-5600.

Shakespeare in Love

Based on the screenplay by Marc Norman and Tom Stoppard

Adapted for the stage by Lee Hall

Music by Paddy Cunneen

Directed by Bonnie J. Monte

Performances begin October 11!
F.M. Kirby Shakespeare Theatre, 36 Madison Ave., Madison (on the Drew University Campus)

Buy tickets

Originally produced on the West End by Disney Theatrical Productions and Sonia Friedman Productions, directed by Declan Donnellan, and designed by Nick Ormerod.


Ignite your creativity by enrolling in a fall class or workshop at HAM. We offer something for all tastes, so take a look below, or visit our website for our complete list of programs for children and adults.
Design, Sculpt, Build (starts Wednesday, Nov. 1): Makes loads of cool art with a variety of materials such as pastels, clay, paint and plaster. For ages 7 to 9. Sign up!
Glass Fusing (starts Thursday, Oct. 26): Our Glass Fusing class offers your child endless possibilities for creativity while learning all about color and how to safely work with glass. Kids will create one of a kind works of art, gain insight into important techniques of color and design, and learn the science behind the art of glass fusing. Learn more!

Art from Around the World (starts Tuesday, Oct. 24): We're spanning the globe to share art from other countries and continents with your child. Join us as kids explore different artistic traditions with projects including drawing, printmaking, painting and sculpture. Sign up today!

Pysanky Holiday Ornaments with Wendy Hallstrom (Saturday, Nov. 18 at 1 p.m.): Learn the step-by-step process used to create Pysanky—the beautiful, elaborately decorated eggs found in Polish, Ukrainian and Russian traditions—and a little bit of the history behind these small works of art. It’s a lot of fun and the results are always impressive. For adults and teens, ages 16 and up. Sign up!

American Girls: Home for the Holidays (Saturday, Dec.9 at 10 a.m.): Enjoy some American Girl time and celebrate the holidays! We’ll make crafts from the Victorian era and other times and then celebrate the season with a tea party. For ages 7 and up. Register!

Popular School's Out Workshops Are in Early November

The Hunterdon Art Museum’s popular “School’s Out Workshops” return during the annual NJEA Convention on Nov. 9 and 10. These programs encourage children ages 6 to 10 to experiment with paint, clay, pastels and other media.
Classes are taught by artists, educators and professional storytellers to ensure an enriching and rewarding learning experience.

Thursday, Nov. 9

  • Draw, Paint, Sculpt (9 a.m.--noon): It's all in the title! Kids will create frame-worthy works of art that will amaze and delight.
  • Meet the Masters (1-4 p.m.): Learn about famous artists, while you explore painting, sculpture, collage and mixed media.

Friday, Nov. 10

  • Sculpture Sampler (9 a.m.--noon): Explore the world of three-dimensional art with clay, plus soft materials such as felt, fabric and stuffing.   
  • My Pet Project (1-4 p.m.): Pet-themed projects bring art and animals together, and include sculpting and painting using a variety of materials.

A supervised lunch is available. For more information and to register, please visit our website or call 908-735-8415.


Dearly Departed Logo

Dearly Departed
Directed by Holly J. Kowalenko
Produced by Karen Abbatiello

WHEN: October 20 - November 5; Friday and Saturday Evenings at 8:00 pm and Sunday Matinees at 2:00 pm. 
Somerset Valley Players, 689 Amwell Rd./Route 514, Hillsborough, NJ 
TICKETS:  General Admission $20 - Seniors/Students $18
For Further Info:  Call 908-369-7469
To Buy Tickets: 
Visit the website at

Dearly Departed 1A southern comedy of caskets and country craziness puts the “fun” in funeral.  When “mean and surly” Mr. Turpin suddenly dies, his nitwit relations from church and county come together to merrily mark his demise in a hilarious melting pot which includes a loud Bible thumping widow, a businessman who cleans parking lots, a reverend with the runs, a tubby junk food enthusiast, and a super-duper suspicious wife. [Above: Linda Konopka (Bridgewater), David Williams (Flemington), and Shannah Catalano (Hillsborough)]

Theatre is wheelchair accessible.


It's officially the start of Weather Week, a town-wide celebration of Charles E. Burchfield: Weather Event, an exhibition that examines the renowned artist’s lyrical landscape watercolors and drawings through both an artistic and scientific lens.

CHECK OUT all the events happening this week!

31st Annual Julia Norton Babson Lecture: Charles E. Burchfield: Wind, Sunshine, and Sky 

Learn more about Charles E. Burchfield's life and inspiration, at the
31st Annual Julia Norton Babson Lecture! This year's speakers come from the Burchfield Penney Art Center, Buffalo State University, and the Smithsonian Institution.

ADMISSION: $12 members/$15 nonmembers
WHEN: Thursday, October 19, 7 p.m.
PURCHASE your tickets today!

Family Art Adventure 

Come rain or shine! Explore MAM's current exhibition Charles E. Burchfield: Weather Event.

ADMISSION: $6 members/$18 nonmembers
WHEN: Saturday, October 21, 2–3:30 p.m.
EXPLORE MAM this Saturday!

MSU/MAM Art Talk
In Burchfield's Wake: Artists Respond to the Environment

As the earth heats up and more and more people inhabit it, consuming precious resources and exploiting the landscape, we humans find ourselves confronting a need for significant change in the way we respond to our world.

ADMISSION: $12 members/$15 nonmembers
WHEN: Thursday, October 26, 7–8:30 p.m.
PURCHASE your tickets today!

Tour MAM's Galleries

Experience our galleries like never before with MAM's tours. Members get even more access to exclusive, private tours!

Art and Literacy Educator Workshop
WHEN: Saturday, October 28, 1–4 p.m.

On October 28, MAM Contemporaries will kick off their fall season with an exclusive tour of Teddi and Scott Dolph’s private collection. The Dolphs began collecting art in the 1990s, and most recently have focused on emerging artists, even street artists. They have become known for their varied collection of contemporary figurative work. Only MAM Contemporaries will receive an exclusive look at their private collection and hear about the artwork from the Dolphs themselves!

WHEN: Saturday, October 28, 11 a.m.


Laura Cortese & The Dance Cards


The Theatre at RVCC, 118 Lamington Road, Branchburg
Tickets Still Available

Laura Cortese & The Dance Cards is an all-female string group brought together by the love of traditional American music and the myriad of ways it can be expressed in a chamber-folk setting. With their feet solidly grounded in traditional fiddle styles, they reach for the sky with their original compositions, arrangements and interpretations of Old-Time, Bluegrass, Country and Celtic music.

This trio goes from hard-driving tunes to heart-breaking songs of Americana deftly and with the sensitivity of players beyond their years. The Dance Cards have toured the US and Europe, performing in every imaginable setting from farmers' markets to music festivals, and house concerts to concert halls, while hosting workshops on fiddling, grooving, dancing and singing in between.

All members of the Dance Cards went through rigorous training at the Berklee College of Music and bring not only a reverence to tradition but an innovative creativity to the music that they make.




Nicki Parrott photo by Brian WittmanThe Nicki Parrott Trio

WHEN: Monday, October 23, at 7:30 and the seating for this show is unreserved
Bickford Theatre, 6 Normandy Hgts Rd., Morristown
$17 in advance and may be purchased online at, by phone at (973) 971-3706, or in person at the Bickford Theatre Box Office.
Tickets for the concert are available online at or by phone at 973-971-3706.

featuring Rossano Sportiello and Eddie Metz Jr.

The Nicki Parrott Trio will make their only New Jersey appearance this fall as part of the very popular Jazz Showcase series.

Bassist and singer Nicki Parrott moved to New York from her native Australia in 1994 and within just a few years she became the regular bassist for the Les Paul Trio. The legendary guitarist, who was not known for handing out accolades, loved her work and said, “She has that special gift you cannot buy in a music store.”

As part of the Les Paul Trio, Nicki had the opportunity to work with many guitar greats including Paul McCartney, Slash, Steve Miller, Frank Vignola, Bucky Pizzarelli, and Tommy Emmanuel. Her extraordinary talent has made her a first-call bassist for many jazz greats and she has performed with musicians such as Clark Terry, John Pizzarelli, Dick Hyman, Larry Carlton, Houston Person, Randy Brecker, Jose Feliciano, Harry Allen, and Ann Hampton Calloway to name just a few.

Critics also rave about Nicki Parrott whose playing, singing, and sense of humor have captivated audiences for the past two decades. Cabaret Scene wrote that “Nicki Parrott could make anyone love jazz,” and the international jazz publication Jazz Times applauds her musicality noting that she “…brings clear articulation, beautiful tone, a sense of rhythmic assuredness, and a touch of allure to inventive arrangements.”

The trio includes two talented and popular musicians. Italian-born Rossano Sportiello is an award-winning, accomplished pianist who has performed with many of the world’s greatest jazz musicians such as Clark Terry, Harry Allen, Kenny Davern, and Slide Hampton. His recordings have been critically acclaimed including People Will Say We’re In Love a duet with Nicki Parrott that was selected by The New Yorker as one of the top 10 CDs of the year.

Drummer Eddie Metz Jr. has been working with Nicki for several years and draws praise no matter the music. Louis Bellson called him “very musical, tasty and brilliant” while Dick Hyman said simply “one of the best in the business.” Known for his very musical approach to the drums, Eddie has been in demand since his days as a jazz studies student at William Paterson University, including luminaries such as Chick Corea, Michael Feinstein, Arturo Sandoval, Bucky Pizzarelli, Milt Hinton and Ken Peplowski.

Tickets are The Jazz Showcase Season is supported in part by the New Jersey Jazz Society, Hot House Jazz Magazine, the New Jersey State Chamber of Commerce, NJ Jazz List, and NJ Arts Daily.

The Bickford Theatre at the Morris Museum is located at 6 Normandy Heights Road in Morristown, NJ, and offers free parking and full accessibility. Box office hours for phone sales are Monday through Friday, 10:00 am to 5:00 pm. Walk-up hours are Tuesday through Friday, 11:00 am to 5:00 pm.


487_20061221_04State Theatre New Jersey presents
Tango Buenos Aires

WHEN: Friday, October 20, 2017, 8pm / Saturday, October 21, 2017, 8pm
: State Theatre, 15 Livingston Ave., New Brunswick
TICKETS: $25-$70
For tickets or more information, call the State Theatre New Jersey Guest Services at 732-246-SHOW (7469), or visit us online at The State Theatre New Jersey Ticket Office, located at 15 Livingston Ave, New Brunswick NJ, is open Monday through Friday from 10am to 6pm; and at least three hours prior to curtain on performance dates unless otherwise specified. For information on group outings and discounts, call 732-247-7200, ext. 536. Some additional ticket and transaction fees may apply.
The performances are sponsored by AARP

487_20061221_05Tango Buenos Aires has become one of Argentina’s great cultural exports, known throughout the Americas, Europe, and the Far East as the most authentic and uncompromising representative of the Tango. Tango Buenos Aires was created for the "Jazmines" festival at the famous Buenos Aires cabaret "Michelangelo" by renowned composer and tango director Osvaldo Requena. The company met with tremendous success and was immediately added to the season of the General San Martin Municipal Theatre.

In 1986, the company traveled to the United States in order to represent Argentina at the Latin-American Festival, which took place at the Delacorte Theatre in New York City's Central Park during the month of August. This event was followed by an extensive tour throughout the United States, along with trips to Mexico, Puerto Rico, and El Salvador, followed by a return to the United States via Miami and San Francisco.

Since then they have traveled to dozens of countries such as Ecuador, Germany, Spain, Malaysia, Thailand, Chile, Finland, Japan, China, and dozens of major U.S. cities. With each show, they bring their Argentinian culture and dance and display it for their audiences to learn and enjoy.

State Theatre New Jersey—creating extraordinary experiences through the power of live performance. The theater exists to enrich people’s lives, contribute to a vital urban environment, and build future audiences by presenting the finest performing artists and entertainers and fostering lifetime appreciation for the performing arts through education. State Theatre New Jersey’s programs are made possible, in part, by funding from the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts, and contributions from numerous corporations, foundations, and individuals. The Heldrich is the official hotel of State Theatre New Jersey. The Star-Ledger is the official newspaper of State Theatre New Jersey. United is the official airline of State Theatre New Jersey.


UPAFR 08-17


WHEN: Saturday, October 21, at 3pm
Dorothy Young Center for the Arts Concert Hall (Drew University, 36 Madison Avenue corner Lancaster Road, Madison, NJ)
ADMISSION: $15 prepaid, $20 at the door.
For tickets or more info, visit or call Diane Valencia at 732-317-3364.  Or email

The group will showcase the versatility of the rondalla—with repertoire ranging from traditional and contemporary music from the Philippines and other nations, light classical compositions to Broadway themes. 

Guest artists include tenor Anthony Lim and the Ligaya Cultural Group dancers.

Concert proceeds will benefit the Pagymanin Likas Musika rondalla instruments lending program for underprivileged children in the Philippines. 


By Ruth Ross

STNJ_SIL_5If you’re wondering why someone thought it a good idea to turn a beloved Oscar-winning film into a stage production, the answer lies in the nature of live theater: Instead of merely watching large-scale figures enact a story on a huge movie screen, the audience enters a real world unfolding before them and experiences real people interacting with one with a patently palpable immediacy. (Left: Jon Barker and Whitney Maris Brown)

With Shakespeare in Love, which Lee Hall has adapted for the stage from a screenplay by Marc Norman and Tom Stoppard, the Shakespeare Theatre of New Jersey has mounted one of the finest productions I have seen there in my 21 years reviewing the troupe. Infectious exuberance, sheer cheekiness, acerbic wit and superb acting make the very air in the F.M. Kirby Shakespeare Theatre crackle with an electrical charge that leaves us giddy and craving more.

STNJ_SIL_6Above all, Shakespeare in Love is what we’d call a “meta play”: a play about the theater and the act of creating for it. Essentially, it recounts how Will Shakespeare, a novice playwright from the provinces (where he left a wife and twins), came to write his great tragedy, Romeo and Juliet. Suffering from a bad case of writer’s block and attempting to meet his obligations to theater owners Richard Burbage and Philip Henslowe, he produces no script until he encounters his muse, the freedom-loving proto-feminist Viola de Lesseps, a wealthy merchant’s beautiful daughter who loves theater so much that she disguises herself as a young man so she can appear onstage (right). Complications involving forbidden love, her impending marriage, competing business interests and disgruntled actors ensue, much to our merriment.

STNJ_SIL_4STNJ Artistic Director Bonnie J. Monte has directed this “theatrical love letter” (here in its first Northeast production) with verve and style, keeping the action moving so engrossingly that the two and three-quarter hours pass swiftly by. Too, no detail to transport us to late 16-century London has been overlooked. Nikki Delhomme’s costumes (left) are true to the period (check out the sleeves that lace onto doublets and bodices), with sumptuous fabrics and design elements appropriate to the social classes of those wearing them. Kris Kukul’s evocative music and the period dances staged by Danielle Liccardo enhance the experience. And the literate script is sprinkled with quotes from other Shakespeare plays that you’ll recognize and smile at their incorporation into the clever dialogue.

STNJ_SIL_8But it’s the large cast that does the heavy lifting in Shakespeare in Love. With spot-on comedic timing and oversized stage presence, Jon Barker is a stellar Will Shakespeare, trying to juggle the competing demands of Burbage and Henslowe (played by the always wonderful David Andrew MacDonald and Edmond Genest, respectively), the irritating creditor/investor Fennyman (an appropriately nudgy Ames Adamson) and his burgeoning desire for Viola, played by the luminous Whitney Maris Brown in her first season with the troupe (I hope we’ll see more of her in the future). Even when she’s standing behind a crowd of actors, we can’t help but notice her.

STNJ_SIL_1Anthony Marble’s sly Kit Marlowe (left, with Barker) is a worthy competitor to Shakespeare; the script even addresses the authorship question by having Marlowe contribute several lines to a sonnet the budding Bard is writing! Erika Rolfsrud is marvelous as Viola’s Nurse and Queen Elizabeth (above, with Brown), one a nattering busybody and the other a woman in a traditional man’s job; we can even forgive the sovereign’s extreme predilection for dogs (reminiscent of the current queen)! And Marcus Dean Fuller makes the most of perhaps what is the least sympathetic role, that of Wessex, Viola’s moneygrubbing nobleman suitor who sees their union as more merger than marital. Patrick Toon is to be commended for his drumming as is Garrett Lawson for his hammy Ned Alleyn, the actor cast to play Tybalt in Romeo and Juliet. The rest of the large cast portrays courtiers, players and servants to provide fine support.

STNJ_SIL_10The set designed by Brin Clinnin is a marvel—highly reminiscent of what we imagine an Elizabethan stage to be. A box that slides in and out from under a platform serves as a bed and a boat! Props are carried on and off or are moved around to suit the action. Kudos, too, to the dressers backstage who manage quick costume (and in one case, makeup) changes in the blink of an eye. Rick Sordelet’s fight direction features some nifty swordplay, too. (Above: Barker and Genest)

STNJ_SIL_15Onstage at regional theaters all across the nation, Shakespeare in Love has the distinction of being the most produced play this year. If you, as I do, love plays about the theater, are curious about how dramatic creation comes about and can’t resist a good love story, then you won’t want to miss Shakespeare in Love at the Shakespeare Theatre of New Jersey in Madison where you can travel through time and space to experience one of the most exciting periods in theatrical history. Not a bad deal for the price of a ticket! But hurry, you can only do it until November 12.

Shakespeare in Love will be performed at the F.M. Kirby Shakespeare Theatre on the campus of Drew University in Madison through Sunday, November 12. For information and tickets, call the box office at 973.408.5200 or visit online.

Friday, October 13, 2017


October 20-22 in the Little Theatre

Brick City
Recipient of 2017 NJPAC Stage Exchange Commission
by Nicole Pandolfo

WHEN: Friday, October 20, at 7:00 pm, Saturday, October 21, at 3:00 pm, and Sunday, October 22, at 3:00 pm
Miron Student Center Little Theatre at Kean University, 1000 Morris Ave., Union
TICKETS: free, reservations are highly recommended.
All unclaimed seats at the time of curtain will be released to the waitlist.
To reserve seats, please call the box office at 908-737-7469 or email For more information, please visit Premiere Stages online at

In this topical and compelling new play, worlds collide inside a failing Newark public school. Jessie, a combative high school senior with a disability, and Darnell, the star player of the basketball team, find themselves together in extended study hall during the most important marking period of their lives. As Darnell inches dangerously close to throwing away a lucrative college scholarship and Jessie a potential career as an artist, both discover that things aren’t always as simple as they may seem. Producing artistic director John J. Wooten directs.

Now in its third year, the NJPAC Stage Exchange pairs cutting-edge play development with insightful community dialogue. An innovative partnership between the New Jersey Performing Arts Center (NJPAC), the New Jersey Theatre Alliance, and three professional producing theatres, the program annually commissions three new plays by three Garden State playwrights, presents free readings of the plays with public commentary at NJPAC in Newark, and ultimately results in three full productions of the plays at the collaborating theatres the following season. In addition to Ms. Pandolfo and Premiere Stages, the 2017 recipients of the NJPAC Stage Exchange Commission are Joel Stone for New Jersey Repertory Company and Pia Wilson for Crossroads Theatre Company.

As the founder and producing artistic director of Premiere Stages, Mr. Wooten has developed and directed numerous new plays, including The Beautiful Dark, The Good Counselor and Follow Me to Nellie’s, all of which were honored by the American Theatre Critics Association. Earlier this season, he directed the New Jersey Premiere of Dominique Morisseau’s Obie Award-winning Skeleton Crew.

“We are excited to further expand the opportunities we can afford New Jersey dramatists through the NJPAC Stage Exchange Commission,” said Mr. Wooten. “And the richly topical themes Nicole explores in Brick City make the play a particularly good fit for our mission.”

Nicole PandolfoMs. Pandolfom(right) is a 2017 Dramatist Guild Fellow. Her work has been developed at the Eugene O'Neill Theater Center as a Playwright Observer, at Tofte Lake as a Jerome Foundation Fellow, and the Lark. She was a finalist for the Stanley Drama Award, the Edward Albee Foundation Fellowship, and the Leah Ryan Fund for Emerging Women Writers. She is a member of The Actors Studio in the Playwright/Director Unit and received her MFA at Hunter College.

Premiere Stages offers affordable prices, air-conditioned facilities and free parking close to the theatre. Premiere Stages also provides free or discounted tickets to patrons with disabilities. All Premiere Stages facilities are fully accessible spaces, and companion seating is available for patrons with disabilities. Assistive listening devices and large print programs are available at all times; publications in alternate formats are available with advance notice. Please call 908-737-4077 for a list of sign-interpreted, audio-described or open-captioned performances. For more information, please visit Premiere Stages online at

Premiere Stages is made possible in part through funding from The New Jersey State Council on the Arts, The Geraldine R. Dodge Foundation, The Shubert Foundation, The Northfield Bank Foundation, The Wallerstein Foundation for Geriatric Life Improvement, The Hyde and Watson Foundation, The Union Foundation, E.J. Grassmann Trust, The New Jersey Theatre Alliance, Investors Foundation, The Union County HEART Grant, and through the generous support of individual patrons and local organizations. Discover Jersey Arts is our marketing partner. Visit for more information about other arts programming happening around the Garden State.


Created in 2004, Premiere Stages is the professional Equity theatre in residence at Kean University. Through its unique partnership with Kean, Premiere’s play development programs, educational initiatives, and professional development opportunities actively embrace the university's academic curriculum while expanding the scope, accessibility, and prestige of the professional programming on campus. For more information, please visit Premiere Stages online at


Founded in 1855, Kean University has become one of the largest metropolitan institutions of higher education in the region, with a richly diverse student, faculty and staff population. Kean continues to play a key role in the training of teachers and is a hub of educational, technological and cultural enrichment serving nearly 15,000 students. The University’s five undergraduate colleges offer more than 50 undergraduate degrees over a full range of academic subjects. The Nathan Weiss Graduate College offers four doctoral degree programs and more than 60 options for graduate study leading to master’s degrees, professional diplomas or certifications. With campuses in Union and Toms River, New Jersey, and Wenzhou, China, Kean University furthers its mission by providing an affordable and accessible world-class education.  Visit



4th Wall Theatre will hold open auditions for all roles in

A Raisin in the Sun
by Lorraine Hansberry
directed by Gwen Ricks-Spencer
stage managed by Martha Thalheimer

WHEN & WHERE: Tuesday, October 24th (7:00-10:00 pm), Wednesday, October 25th. Sign-up begins at 1/2 hour prior to the audition start time, and anyone auditioning must arrive no later than 8:00 pm. Callbacks, if needed, will be held on Saturday, October 28.   
WHERE: Westminster Arts Center (449 Franklin Street) in Bloomfield
Non-union; no pay. For more information, including directions, go to

SEEKING a cast of 10 adults: 1 boy (8-12), 3 women, and 7 men.

​Send inquiries to

PERFORMANCE DATES: during Black History Month on February 23, 24 and 25
LOCATION: Westminster Arts Center on the campus of Bloomfield College, where the company is in residence. Auditions will take place in Bloomfield and Montclair. Rehearsals will begin in November.

Set on Chicago’s South Side, the plot revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis, and matriarch Lena. When her deceased husband’s insurance money comes through, Mama Lena dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama. The Younger family’s heroic struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration.

  • Come to auditions prepared with a 1-2 minute monologue, and be prepared to read from the show. Sides will be posted by October 20th on the 4th Wall website at
  • Please bring a headshot and resume stapled together
  • Be prepared to provide all potential conflicts for weekday evenings and weekend daytime rehearsals beginning November 1, 2017. 

    Lena Younger (“Mama”): Black. Female. 50-60’s. Walter and Beneatha’s mother. The matriarch of the family, Mama is religious, moral, and maternal. She wants to use her husband’s insurance money as a down payment on a house with a backyard to fulfill her dream for her family to move up in the world.
  • Walter Lee Younger: Black. Male. Early 30’s – mid 40’s. The protagonist of the play. Walter is a dreamer. He wants to be rich and devises plans to acquire wealth with his friends, particularly Willy Harris. When the play opens, he wants to invest his father’s insurance money in a new liquor store venture. He spends the rest of the play endlessly preoccupied with discovering a quick solution to his family’s various problems.
  • Ruth Younger: Black. Female – Early 30’s to Early 40’s. Walter’s wife and Travis’s mother. Ruth takes care of the Youngers’ small apartment. Her marriage to Walter has problems, but she hopes to rekindle their love. She is about thirty, but her weariness makes her seem older. Constantly fighting poverty and domestic troubles, she continues to be an emotionally strong woman. Her almost pessimistic pragmatism helps her to survive.
  • Beneatha Younger: Black. Female. 20s. Daughter of the Younger family. Prides herself on being an intellectual, as she is the most educated member of the family. Wants to be a doctor. Constantly questioning Mama’s traditional values. Exploring her personal identity as an African-American woman while dating both George, a wealthy African-American man, and Asagai, a Nigerian immigrant.
  • Travis Younger: Black. Male. 10 or 11. Ruth and Walter’s son. Sleeps on the couch because there is no bedroom for him in the Younger home. Curious, playful, and loves the attention of his family. Always wants to be outside. Dreams of living in a house.
  • Karl Linder: White. Male. 40s – 50s. Middle-aged. Chairman of the Clybourne Park Improvement Association. Comes to the Younger house to offer Mama a deal not to move to white Clybourne Park neighborhood. Nervous and frustrated but well-meaning outsider.
  • Joseph Asagai Black. Male. 20s – 30s. A Nigerian student in love with Beneatha. Asagai, as he is often called, is very proud of his African heritage, and Beneatha hopes to learn about her African heritage from him. He eventually proposes marriage to Beneatha and hopes she will return to Nigeria with him.
  • George Murchison: Black. Male. 20s - 30s. Dating Beneatha. From a wealthy family. Judgmental and self-centered. Takes pride in his wealth and social-standing. He does not care about Beneatha’s intellect and would rather date a sophisticated society girl. Though he is well-liked by the Youngers, Beneatha is not interested in marrying him.
  • Bobo: Black. Male. 30s – 40s. One of Walter’s partners in the liquor store plan.
  • Two Movers: Black. Male. 20-40s


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WHEN: Saturday October 14, at 8 PM
Historic Edison Valley Playhouse, 2196 Oak Tree Rd, Edison, NJ
ADMISSION: $10 (cash only please)
Light refreshments will be available for sale

The Coffee House is a comedy / variety show featuring live performances from a combination of sketch comedy groups, stand up comedians, stand up philosophers, musicians, singers, and other types of performers. Each night will feature the hilarious sketch comedy of The Dog Show and a number of other acts.

The Dog Show - hosts and sketch comedy
Randy Reiman - comedian
Edward Garber - stand-up comic
Ethan Fria - music
Virginia Hogan - stand-up comic
Back Door BBQ - sketch comedy
JGeorge Estrella - wrestler, comedian, unpredictable
Katie McGrath - singer
Joe Tible - singer
Alicia Frehulfer - painting and art expo
Andrew Casertano - stand-up comic
WARNING: Due to some adult language/content, parental discretion is advised.
run time about 90 minutes to 2 hours in length with intermission

Check out the Dog Show event at: