News from the Princeton University Art Museum

 

Artist Talk Renee Cox Thursday, April 15, 5:30 p.m. (EDT)

 

Renee Cox’s photographs—frequently self-portraits—explore issues related to the representation and exploitation of Black bodies while seeking to create new, positive imagery. We are delighted to have three of Cox’s works join the Museum’s collections. In this live program, hear the award-winning artist discuss these images and the contexts that inform their creation. Cox’s talk will be followed by a conversation with Katherine Bussard, Peter C. Bunnell Curator of Photography. Details and free registration here.

Lecture Guides for the Soul: Art from China's Warring States Period Thursday, April 29, 5:30 p.m. (EDT)   Join Cary Liu, Nancy and Peter Lee Curator of Asian Art, as he discusses the acquisition of two important tomb artifacts dating from the Warring States period (ca. 470–221 BC). One is a rare bronze lamp made with different colored alloys that may have guided the soul to the afterlife. The other is a uniquely decorated eared cup that may have been used to provide sustenance to the deceased. Details and free registration here.   Save the Date The Academic Museum and the Journey toward Equity Thursday, May 6, 5:30 p.m. (EDT)     During this year’s Friends Annual Keating Lecture, Johnnetta Cole—the former president of Spelman College and Bennett College, the former director of the Smithsonian National Museum of African Art, and the recipient of an honorary doctorate from Princeton University—will offer a compelling call to action for the academic museum in America. Hosted by Museum Director James Steward. Details and free registration here.   Princeton Institute of Materials Symposium Materials for Today and Tomorrow Wednesday, April 21, 8:45 a.m.–6 p.m. (EDT)   Materials for Today and Tomorrow: A Princeton University Materials Science Symposium brings together Princeton faculty and alumni and industry and government leaders to discuss the development of breakthrough scientific and technological materials-based innovations. Bart Devolder, the Museum’s chief conservator, will present during the 11:00 a.m. panel, “Materials Science: Bridging Engineering and the Arts.” Details and free registration here.   Gala 2021 A Global Gathering Saturday, May 1, 7 p.m.      Join us for an uplifting virtual gathering in recognition of the Museum’s recent successes and even brighter future. Drawing inspiration from the Museum’s globe-spanning collections, we will celebrate the transformative power of great art with a live online event. Although we will be apart, this will be a special moment to build community in support of the forward-looking work of the Art Museum. Proceeds support the wide range of programs we offer to all, free of charge. Tickets and information here.    Museum Store   The Museum Store offers exhibition-inspired keepsakes, art publications, jewelry, gifts for children, and distinctive works by artisans. Kim Allison in Massachusetts creates porcelain bowls inspired by birch bark’s distinctive patterns. She burnishes and sponges porcelain, then hand-carves the surfaces to build up layers of character that, when fired, evoke what she calls “the velvety quality of the bark, the grooves of the lenticels, and each of the rough knots in your hands.”   Each Store purchase supports the Museum’s core mission of bringing art into everyday life. Shop at 56 Nassau Street in downtown Princeton or online at PrincetonMuseumStore.org. Image credits Renee Cox, The Signing (detail), 2018, printed 2020. Princeton University Art Museum. Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art. © Renee Cox Chinese, mid-Warring States period to early Western Han dynasty (ca. 470–221 BC), Sword-bearer lamp, 4th–2nd century BC. Princeton University Art Museum. Museum purchase, Fowler McCormick, Class of 1921, Fund Johnnetta Cole. Photo: Boston Photography   From left: Indian, Mana Lalji (detail), ca. 1860. Museum purchase, Fowler McCormick, Class of 1921, Fund | Egyptian, New Kingdom, early 18th Dynasty, Fragmentary lid from the coffin of Wadj-shemsi-su (detail), ca. 1500–1425 BC. Museum purchase, Fowler McCormick, Class of 1921, Fund. Photo: Bruce M. White | Mario Moore, The Center of Creation (Michael) (detail), 2019. Museum purchase, Fowler McCormick, Class of 1921, Fund. © Mario Moore | Yorùbá artist, Nigeria, Tunic (detail), late 19th–early 20th century. Museum purchase, Fowler McCormick, Class of 1921, Fund. Photo: Bruce M. White | Japanese, Meiji period (1868–1912), Utagawa Kunisada and Hashimoto Sadahide, Interior of the Gankirō Tea House (Butterfly Opera) (detail), 1861. Museum purchase, The Anne van Biema Collection Fund. Photo: Bruce M. White

News from the Princeton University Art Museum

An Art Curator Explains the Resonance between the US Capitol's Masterpieces and the Riots A Commentary by Karl Kusserow, John Wilmerding Curator of American Art   Following the recent attacks on the US Capitol, National Geographic published an essay by Karl Kusserow, the Art Museum’s John Wilmerding Curator of American Art, that examines what political portraiture can tell us about the presence of the past in the present.   Kusserow considers an image of one of the now-notorious Capitol insurgents sitting beneath the portrait of Massachusetts Senator Charles Sumner—who, after delivering an antislavery speech in 1856, was beaten nearly to death by South Carolina Representative Preston Brooks. He writes, “The portrait attests to the fact that the Capitol has witnessed great trauma before, and, like Sumner, recovered from it. Outside of this, what coheres these two events—the near-fatal attack on Sumner and the siege on the Capitol—is race. Who can deny that beneath both lie the cry of entitled white men railing against the dilution of their authority by a push for a more diverse, more equitable nation?” Click here to read the full essay.       Writing Workshop A Long Look at Love: Venus and Amor by Lucas Cranach the Elder Thursday, January 21, 5:30 p.m. (EST)   An art object asks us to reply to it: It returns our gaze, and it compels action and reaction from us. In this interactive writing workshop, we will discover that a slower, closer look at Cranach's complex mythographic portrait of Venus and Amor exposes an extraordinary range of subjects. We will engage these subjects through a guided program of prompts, writing our responses to Cranach's work. Presented by Sarah M. Anderson, lecturer in English, the Medieval Studies Program, and the Freshman Seminar Program, Princeton University. Details and free registration here.       Art Making Drawing Classes Thursdays, beginning February 4   The Art Museum is partnering with the Arts Council of Princeton to provide free online art-making experiences. Weekly classes are taught over Zoom so participants can join live, using materials available at home. Each week’s lesson features works from the Museum’s collections and is introduced by a Student Tour Guide. This series will be held Thursday evenings, February 4 through March 4. Details and free registration for the February 4 class here.       Save the Date Yoga and Art Thursday, February 4, 5:30 p.m. (EST)   Join us for a virtual yoga class inspired by the abstract art of Alexander Calder. Yoga instructor Tricia Adelman will guide this all-levels yoga practice through a series of moves and poses imbued with elements of Calder’s style, such as his signature bright colors and geometric forms. Participants will view the artwork as they connect breath and movement, focusing on flexibility, balance, and physical challenges. Offered in partnership with Princeton University Campus Recreation. Details and free registration here.       Film Lecture Losing Picasso: The Challenges of Condensing a Life Thursday, February 18, 5:30 p.m. (EST)   The filmmakers Ismail Merchant and James Ivory faced almost insurmountable challenges in producing the film Surviving Picasso, which takes as its subject the relationship between Pablo Picasso and his companion Françoise Gilot. This lecture with Caroline Harris, associate director for education, investigates the resulting depiction of the painter, providing a larger context for the period portrayed. Watch the film at your leisure, then join us on Zoom on February 18 for the live lecture. Presented in partnership with the Princeton Garden Theatre. Details and free registration here.       Save the Date Artist Talk: Glenn Ligon and Hilton Als Thursday, March 11, 5:30 p.m. (EST)   The artist Glenn Ligon, whose work draws on literature and history to explore race, language, desire, and identity, joins the Pulitzer Prize–winning author and critic Hilton Als to discuss the ways in which art can engage and rethink the most urgent issues of our time. Details and free registration here.

Image credits Capitol insurgent Aaron Mostofsky from Brooklyn, New York, sits beneath a portrait of Senator Charles Sumner and alongside a bust of Vice President Richard Nixon on January 6, 2021. Photograph by Mike Theiler, Reuters  Lucas Cranach the Elder, Venus and Amor, ca. 1518–20. Princeton University Art Museum. Museum purchase, gift of George L. Craig, Jr., Class of 1921, and Mrs. Craig   Alexander Calder, Five Disks: One Empty, 1969–70. Princeton University Art Museum. The John B. Putnam Jr. Memorial Collection, Princeton University. © 2013 Calder Foundation, New York / Artists Rights Society (ARS)   Pablo Picasso, La Minotauromachie (Minotauromachy), 1935. Princeton University Art Museum. Gift of Margaret Scolari Barr. © 2013 Estate of Pablo Picasso / Artists Rights Society (ARS), New York   Glenn Ligon, Self Portrait at Eleven Years Old, 2004. Princeton University Art Museum. Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art. © Glenn Ligon