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Afterlives:
Contemporary Art in the Byzantine Crypt
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Through January 25, 2026
Gallery 9, The Met Cloisters
Gallery 302, The Met Fifth Avenue
Artists and artisans have been intrigued and inspired by the topic of death
and visions of life thereafter for millennia. Afterlives: Contemporary Art in the Byzantine Crypt
brings together modern-day works that reckon with death and visualize the
afterlife and Byzantine Egyptian funerary art and artifacts in part of the
Mary and Michael Jaharis Galleries known as the Byzantine Crypt (Gallery
302). The intimate and enchanting gallery with exposed brick walls and
arched portals was unveiled in the year 2000 after a renovation that
reclaimed the space beneath the Museum's Grand Staircase. In this
transhistorical presentation, the Byzantine Crypt's religious and secular jewelry,
textiles, ivory objects, vessels, and architectural sculpture from Early
Christian and Coptic monastic sites are complemented and enriched by
contemporary sculptures, works on paper, and installations from the 1960s
to present day that similarly serve as memorials, reliquaries, and tokens
to ward off evil.
As part of the exhibition, Adrian Piper's editioned work Everything #4 invites
viewers to contemplate its otherworldly statement and their reflection in a
variety of contexts. It will be installed in the heart of the Byzantine
Crypt and five other spaces across The Met Fifth Avenue and The Met
Cloisters, listed below.
The Met Fifth Avenue:
Gallery 302 – Byzantine Crypt
Gallery 512 – European Sculpture and Decorative Arts
Gallery 617 – European Paintings
Gallery 726 – The American Wing
Gallery 917 – Modern and Contemporary Art
The Met Cloisters:
Gallery 9 – Gothic Chapel
Learn more →
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Mending Hope
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Can working with your hands improve your mood? For Kisook Suh,
a textile conservator at The Met, there's deep satisfaction and purpose in
caring for tapestries that are hundreds of years old. But her artistry
doesn't stop there: once home, she relaxes by mending holes in her young
son's blue jeans and rescuing clothes that otherwise might be discarded.
Kisook describes the solace found in repairing things—stitch by stitch—and
how the process itself fosters hope for other kinds of healing, whether
broken relationships or her mother's ill health in Korea.
Listen →
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Accessibility at The Met
The Met is committed to accessibility for all. For information about
accessibility, programs, and services for people with disabilities at both
Met sites, visit metmuseum.org/access. To request an access
accommodation for virtual programs or online resources, email access@metmuseum.org,
or call 212-650-2010. For information about
accessibility on our website, see our Website Accessibility Statement.
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