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Over the past
year, AI has taken over the headlines and seemingly reached every corner
of daily life, provoking new questions about intelligence, creativity,
labor, and threats to human existence itself. Art is, surprisingly,
central to these debates. Normally left out of the churn of technological
development, art and visual culture are now inseparable from the rise of
generative AI—which not only classifies and analyzes information but
creates new phenomena in turn.
If AI suddenly feels omnipresent, artists have been
grappling with such a future for decades. A few have explored the
forefront of these technologies, even creating their own models or
subverting existing ones. Just watch Lynn Hershman Leeson’s Seduction
of a Cyborg (1994), which recently screened on
moma.org; or American Artist’s 2015,
which takes on big data and predictive policing, on view in Gallery 214.
Today, through the end of October, you can visit Refik Anadol Studio’s
epic Unsupervised
installation in MoMA’s Gund Lobby, for which the artist created a custom
machine-learning model that synthesizes MoMA’s collection data in
order to “dream” of new and strange forms of modern art.
The features assembled below—encompassing video,
interviews, audio, and essays—offer a guide to the state of AI and art
right now, with commentary from artists, curators, writers, and scholars
across fields and industries. What emerges is an engaged conversation
about exploration and caution, collaboration and critique, in which
history continues to offer as many clues to our future as the present.
Now that AI’s tools are readily available, I look, as ever, to artists:
How will they continue to use—and misuse—them to help us all better see
the world in which we’re living? —Michelle Kuo, The Marlene Hess Curator of Painting and
Sculpture
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Play with
AI
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The acclaimed writer and
founder of Google’s Artists + Machine Intelligence program asks: What
if we imagined a healing AI?
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→ Read
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© 2023 The Museum of Modern Art
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Images,
from top: Installation view of Refik Anadol: Unsupervised, The Museum of
Modern Art, New York, November 19, 2022–summer 2023. Photo courtesy
Refik Anadol; Refik Anadol. Sample data visualization of Unsupervised. 2022. Data
sculpture: custom software, generative algorithm with artificial
intelligence (AI), real-time digital animation on LED screen, sound,
dimensions variable. © Refik Anadol Studio; A still from How to See: Like a Machine. © 2023 The
Museum of Modern Art, New York; Installation view of Refik Anadol: Unsupervised, The Museum of
Modern Art, New York, November 19, 2022–October 29, 2023. Photo
courtesy Refik Anadol; Refik Anadol’s studio, 2022. Courtesy the
artist; Courtesy of K Allado-McDowell; Courtesy of CNN
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