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Friday, February 10, 2023

Celebrating Black History Month @ The Met

 


 

Met News

 

Celebrating Black History Month

Everyday Fantastical

Everyday Fantastical

Tanekeya Word shares the knowledge and experiences behind Starshine & Clay, a fantastical embodiment of the feelings she has about Black girlhood and Black womanhood. Read now →

 

 

Rashida Bumbray | Civic Practice Partnership, 2017–2021

Rashida Bumbray | Civic Practice Partnership, 2017–2021

During her time as a Civic Practice Partnership artist-in-residence, Rashida Bumbray made a film about the anniversary of women's suffrage for 100 Years | 100 Women, and staged activations in the African art and Egyptian art galleries of The Met. Watch now →

 

 

Rediscovering John Bush

Rediscovering John Bush

Recent research sheds light on the life and work of John Bush, a Massachusetts militiaman and the only Black American known to have decorated powder horns. Learn more →

 

 

The Black Presence in Tudor England

The Black Presence in Tudor England

Learn more about John Blanke, a trumpeter who performed at the coronation of Henry VIII, and other documented free Black residents of Tudor England. Watch now →

 

 

Celebrate Black History Month at The Met

Black History Month at The Met

Celebrate the rich culture and history of African Americans through art, talks, digital content, and more.

Explore now →

 

Exhibition Highlights

Crossings

Crossings

SPECIAL INSTALLATION

Through February 2023
The Met Fifth Avenue


Fictions of Emancipation: Carpeaux Recast

Fictions of Emancipation: Carpeaux Recast

Through March 5, 2023
The Met Fifth Avenue


The African Origin of Civilization

The African Origin of Civilization

Ongoing
The Met Fifth Avenue

Upcoming Events

American Crossings: The Complex Legacy of Robert Colescott

American Crossings: The Complex Legacy of Robert Colescott

METSPEAKS

Thursday, February 23, 2023
The Met Fifth Avenue


Register now →

Discussion and Digital Premiere: Matthew Evan Taylor's Life Returns

Discussion and Digital Premiere: Matthew Evan Taylor's Life Returns

METLIVEARTS

Tuesday, February 14, 2023
Online


Register now →

Careers at The Met

Bloomberg Connects App

Jobs at the Museum are as varied as the cultures represented in The Met collection. There is a role for everyone here.

Browse open positions →

Plan Your Visit

See the Plan Your Visit page for more information about buying tickets in advance. Please note our current opening days and hours for each location.

Masks are strongly recommended. See our visitor guidelines for the latest health and safety updates.

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For more information on the exhibitions, including sponsorship credits, visit Crossings, Fictions of Emancipation: Carpeaux Recast, Before Yesterday We Could Fly: An Afrofuturist Period Room, and The African Origin of Civilization.

The Civic Practice Partnership is made possible by The William R. Kenan, Jr. Charitable Trust.

Matthew Evan Taylor: Life Returns is made possible by the Adrienne Arsht Fund for Resilience through Art and the New York State Council on the Arts.

For Education program funders, visit metmuseum.org/educationfundingsupport.

For MetLiveArts program funders, visit metmuseum.org/metliveartssupport.

Your support allows the Museum to collect, conserve, and present 5,000 years of world art. Donate now.

Comments are welcome at metmuseum_newsletter@metmuseum.org.

Images: Tanekeya Word (American, born 1983). Starshine & Clay, 2019. Linocut, gouache, acrylic ink, decorative paper collage, 11 × 15 in. (27.9 × 38.1 cm). The Metropolitan Museum of Art, New York. John B. Turner Fund, 2021 (2021.53.4) © Tanekeya Word | Emanuel Leutze (American, Schwäbisch Gmünd 1816–1868 Washington, D.C.). Washington Crossing the Delaware, 1851. Oil on canvas. Gift of John Stewart Kennedy, 1897. The Metropolitan Museum of Art, New York, 97.34 | Robert Colescott (American, 1925–2009). George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975. Acrylic on canvas. Lucas Museum of Narrative Art, Los Angeles, 2021.45.1  © The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York | Jean-Baptiste Carpeaux (French, 1827–1875). Why Born Enslaved! (detail), modeled 1868, carved 1873. Marble, H. 22 7/8 in. (58.1 cm), W. 16 in. (40.6 cm), D. 12 1/2 in. (31.8 cm). The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace, Wrightsman Fellows, and Iris and B. Gerald Cantor Foundation Gifts, 2019 (2019.220) | Roberto Lugo, Queen Abolition, 2021. Digital illustration. | The Royal Acquaintances Memi and Sabu, ca. 2575–2465 B.C. Egyptian. The Metropolitan Museum of Art, New York. Rogers Fund, 1948 (48.111); Seated Couple, 18th–early 19th century. Dogon artist: Mali. The Metropolitan Museum of Art, New York. Gift of Lester Wunderman, 1977 (1977.394.15)