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Wednesday, March 2, 2022

NEWS FROM THE PRINCETON UNIV. ART MUSEUM

 

 

eNewsletter
March 2, 2022

 

 

Members Event
The Art of the Private Print: A Tour with Sebastian Izzard
Tuesday, March 8, 5:30 p.m. (EST)
Stream it live

 

Sebastian Izzard is one of the premier dealers of Japanese art in the West, with a specialty in prints. In preparation for Asia Week 2022, Izzard will give us a preview of his exhibition of surimono prints (privately issued prints) and discuss collecting Japanese prints with the Art Museum’s Associate Curator of Asian Art, Zoe S. Kwok. Registration is required to attend this virtual event, open exclusively to members. If you are not currently a member, set up your free membership. Details and free registration here.

 

 

 

Artist Conversation
Alan Michelson and Christopher Green
Thursday, March 17, 5:30 p.m. (EST)
Louis A. Simpson International Building, Room A71 or stream it online

 

The artist Alan Michelson, a Mohawk member of the Six Nations of the Grand River, joins Christopher Green, visiting assistant professor of art history at Lake Forest College, to discuss his recent work, including photo and video installations in Native America: In Translation. The exhibition is on view at Art on Hulfish in downtown Princeton through March 24. Program details and free registration here.

 

 

 

Exhibition
Elizabeth Colomba: Repainting the Story
March 12–May 8
Art@Bainbridge

 

Our next exhibition at Art@Bainbridge, opening Saturday, March 12, features the work of Elizabeth Colomba. In her first solo museum exhibition, the colonial-era interiors of Bainbridge House provide an eloquent foil for the artist’s paintings, which foreground historical and fictional Black women, often richly dressed and placed in the opulent spaces from which they have been erased or in which they were assigned subservient roles. Colomba’s radical resettings of established themes in Western art and culture present her heroines—including the biblical Eve, the mythological Danaë, and the model Laure, who posed as the servant in Édouard Manet’s painting Olympia—as central and universal figures. Join us for the exhibition’s opening celebration on Sunday, March 20.

 

 

 

Elson International Artist-in-Residence
Teresa Margolles
Thursday, March 31, 5:30 p.m. (EST)
Friend Center, Room 101 or stream it online

 

Join us for a conversation with the Mexican multimedia artist Teresa Margolles, the Art Museum’s 2022 Sarah Lee Elson, Class of 1984, International Artist-in-Residence, and Christina León, assistant professor of English. Margolles’s practice explores the connections between marginality and violence, especially in relation to groups that are vulnerable to the devastating effects of social unrest, impoverishment, and urban blight resulting from government corruption. Details and free registration here.

Image credits

Japanese, Katsushika Hokusai, “Little Crow,” Sword of the Minamoto (Kogarasumaru no hitokoshi) (or Crow, Sword, and Plum Blossoms), from the series “Four Great Clans of Japan” (Shisei no uchi), early to mid-19th century. Princeton University Art Museum. Museum purchase, The Anne van Biema Collection Fund
 
Left: Alan Michelson. Photo by Karolina Sobel; right: Christopher Green. Courtesy of the speaker
 
Elizabeth Colomba. Courtesy of the artist
 
Teresa Margolles. Courtesy of the artist and James Cohan, New York. Photo by Antonio de la Rosa

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