Companion Species (At What
Cost): The Works of Marie Watt
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Explore the
varied textile works of American artist and Seneca Nation of
Indians citizen Marie Watt. The selection draws from history,
biography, Iroquois proto-feminism, and Indigenous teachings; in these
works, Watt explores the intersection of community, history, and
storytelling. Her work has been exhibited and held in permanent
collections at the Metropolitan Museum of Art, the Whitney Museum of
American Art, Yale University Art Gallery, and the Smithsonian
Institution’s National Museum of the American Indian, among others.
Featured
image: Marie Watt, Companion
Species (At What Cost).
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The Marie Watt Sewing Circle scheduled
for January 16 has been postponed due to Covid.
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Alisha Wormsley: Remnants of
An Advanced Technology
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This exhibition foregrounds Alisha B. Wormsley's celebrated engagements with Black futurism—a genre of reimagining Black life often with a futuristic aesthetic. The imagery in this exhibition draws, in part, from her established body of work, "Children of NAN", which Wormsley describes as an archive of objects, photos, video footage, films, sounds, philosophies, myths, rituals, and performances that she's been compiling for over a decade to document the ways that Black women care for themselves, each other, and the earth. Featured image: Alisha Wormsley, High Priestess.
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Doug Herren:
Color-Forms/Ceramic Structures
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Spark your
sense of wonder and curiosity through the whimsically vibrant work by
Doug Herren. Herren's current ceramic work explores invoking
vessel references in large-scale forms reminiscent of abandoned
industrial tools, gaudily colored. He uses clay in the fashioning of
both stands and tables, and the pottery forms cobbled together from
wheel-thrown and hand-built components. Featured images: Doug Herren, Yellow
Ewer and
Green-Vase Form.
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Congratulations
to Liz
Mitchell, who has been selected by Juror Kristen J.
Owens for the solo exhibition at HAM next
year. Mitchell's piece, "Lead Us Not into
Temptation" (pictured above), was made in response to the tens of
thousands of children sexually abused by religious clerics and laity.
Hear from other artists included in this year's show and learn more
about their work by clicking the button below.
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Become a Member of Hunterdon Art Museum
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are tons of exclusive benefits that come with becoming a member of
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Show Your Support
Hunterdon
Art Museum is a 501(c)3 nonprofit, and your tax-deductible support is
important to us. It ensures that the Museum continues being a vibrant
part of our community. Your contributions help us maintain our
beautiful historic building, which is on the National and State
Historic Registers, assist us in creating exhibitions that share
contemporary art from around the world, and make it possible for us to
develop programs that teach skills and foster creativity.
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Major support
for "Companion
Species (At What Cost): The Works of Marie Watt" is
provided by The Coby Foundation, Ltd.
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Programs are
made possible in part by funds from the New Jersey State Council on the
Arts, a partner agency of the National Endowment for the Arts; The
Geraldine R. Dodge Foundation; New Jersey Arts and Culture Recovery
Fund; Hunterdon County Board of County Commissioners, through funds
administered by the Cultural & Heritage Commission; Hyde and Watson
Foundation; Investors Foundation; The Large Foundation, and additional
support provided by the IFPDA Foundation along with other corporations,
foundations and individuals. The Hunterdon Art Museum is a wheelchair
accessible space. Publications are available in large print.
Patrons who are deaf, hard of hearing or speech impaired may
contact the Museum through the New Jersey Relay Service at (TTY) 1
(800) 852-7899.
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Our mailing
address is:
Hunterdon Art Museum
7 Lower Center
Street
Clinton, NJ 08809
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