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It’s 1935, and racial tensions are high in Maycomb, Alabama. Nonetheless, young Jean Louise Finch -- or Scout, as she is fondly called -- manages to live a rather carefree, privileged existence, insulated from issues of race. All that changes when Scout watches her father, Atticus Finch, defend an innocent man, Tom Robinson, against a potential death sentence, which looms threateningly against him because of prejudice due to race. Scout begins to realize that just because society portrays something as being true doesn’t mean that it actually is fact. With the the help of Atticus, and her older brother Jem, Scout learns that “growing up” often means doing what is right, even when it comes at great cost. To Kill A Mockingbird is now considered an American masterpiece about the power of childhood innocence, morality, and love. However, it is important to note that the author, Harper Lee always defined it as a simple love story.
PLEASE NOTE: Harper Lee’s provocative novel includes accurate and frank use of the racially-charged language of the time period. This use of language remains in this adaptation as an honest depiction of bigotry and racial injustice. Performed with permission from Dramatic Publishing
Join us as our First-Monday-of-the-Month Play Reading Series continues with a FREE reading of the original work
by Michelle Bergamo MONDAY AUGUST 1, 7pm Cynical hypochondriac Eva Russo needs all the help she can get after she drunkenly offers to be a surrogate mother for her sister, Kate. (Contains adult content)
Directed by Gerry Appel Artwork by Tia Sheridan Cast includes Laura Casey, Roger Dornbierer, John Dowgin, TJ Jones, Michele Tauber*, Jessica Damrow Sherman, Paul Whelihan* and Gordon Wiener.