Images
Denilson Baniwa, Pajé Yawareté traz novidades
à aldeia de Santa Isabel, Oiapoque, Amapá (Jaguar
Shaman brings news to the village of Santa Isabel, Oiapoque,
Amapá), 2018. Collection of the artist. © Denilson Baniwa. Photo:
Sallisa Rosa
Tracey Moffatt, Something More No. 1,
1989. Collection of the Museum of Photographic Arts. Gift of Olivia
and Peter Farrell. © Tracey Moffatt
Japanese, Edo Period
(1603–1868), Scenes in the
Entertainment District, 17th century. Museum
purchase, Fowler McCormick, Class of 1921, Fund
Art
on Hulfish is made
possible by the leadership support of Annette Merle-Smith and
Princeton University. Generous support is also provided by William
S. Fisher, Class of 1979, and Sakurako Fisher; J. Bryan King, Class
of 1993; John Diekman, Class of 1965, and Susan Diekman; Julie and
Kevin Callaghan, Class of 1983; Annie Robinson Woods, Class of
1988; Barbara and Gerald Essig; Rachelle Belfer Malkin, Class of
1986, and Anthony E. Malkin; the Curtis W. McGraw Foundation; Tom
Tuttle, Class of 1988, and Mila Tuttle; Nancy A. Nasher, Class of
1976, and David J. Haemisegger, Class of 1976; the Len & Laura
Berlik Foundation; Gene Locks, Class of 1959, and Sueyun Locks; and
Palmer Square Management.
Under
a Southern Star: Identity and Environment in Australian Photography is curated by Deborah Klochko, former
executive director and chief curator, Museum of Photographic Arts
at the San Diego Museum of Art; and Graham Howe, founder and CEO,
Curatorial Exhibitions; with Ashley Lumb, independent curator. This
exhibition was originated by the Museum of Photographic Arts at the
San Diego Museum of Art, with generous support from the Farrell
Family Foundation and is toured by Curatorial Exhibitions,
Pasadena, California.
Art@Bainbridge is made possible through the generous support
of the Virginia and Bagley Wright, Class of 1946, Program Fund for
Modern and Contemporary Art; the Kathleen C. Sherrerd Program Fund
for American Art; Joshua R. Slocum, Class of 1998, and Sara Slocum;
Rachelle Belfer Malkin, Class of 1986, and Anthony E. Malkin;
Barbara and Gerald Essig; Gene Locks, Class of 1959, and Sueyun
Locks; and Ivy Beth Lewis.
Denilson
Baniwa: Under the Skin of History is co-organized by the Brazil LAB, the Department of
Anthropology, and the Princeton University Art Museum. Co-sponsors
of the project include the High Meadows Environmental Institute,
University Center for Human Values, the Humanities Council, the
Program in Latin American Studies, and the Princeton Institute for
International and Regional Studies. Additional supporters include
the Department of Spanish and Portuguese, the Department of Art
& Archaeology, the Lewis Center for the Arts, and the Effron
Center for the Study of America.
LATE THURSDAYS!
Thursday-evening programming is made possible in part by Heather
and Paul G. Haaga Jr., Class of 1970.
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