Images
Denilson Baniwa, Pajé Yawareté traz novidades
à aldeia de Santa Isabel, Oiapoque, Amapá (Jaguar
Shaman brings news to the village of Santa Isabel, Oiapoque,
Amapá), 2018. Collection of the artist. © Denilson Baniwa. Photo:
Sallisa Rosa
Clifford Prince King,
Poster Boys,
2000. Quite_Liberace Collection by Shawneil Campbell. © Clifford
Prince King / courtesy of the artist and STARS, Los Angeles
Chinese, late Ming to
Qing dynasty (1644–1912), Anonymous, Travelers in
Mountains, undated. Princeton University Art
Museum, gift of DuBois Schanck Morris, Class of 1893. Photo:
Jonathan Prull
Richard Diebenkorn, Berkeley #17,
1954. Private collection © Richard Diebenkorn Foundation
Art on Hulfish is made possible by the leadership support of
Annette Merle-Smith and Princeton University. Generous support is
also provided by William S. Fisher, Class of 1979, and Sakurako
Fisher; J. Bryan King, Class of 1993; the New Jersey State Council
on the Arts, a partner agency of the National Endowment for the
Arts; John Diekman, Class of 1965, and Susan Diekman; Julie and
Kevin Callaghan, Class of 1983; Annie Robinson Woods, Class of
1988; Barbara and Gerald Essig; Rachelle Belfer Malkin, Class of
1986, and Anthony E. Malkin; the Curtis W. McGraw Foundation; Tom
Tuttle, Class of 1988, and Mila Tuttle; Nancy A. Nasher, Class of
1976, and David J. Haemisegger, Class of 1976; the Len & Laura
Berlik Foundation; Gene Locks, Class of 1959, and Sueyun Locks;
Palmer Square Management, and Dean and Jill Mitchell.
“Don’t
we touch each other just to prove we are still here?”: Photography
and Touch is guest curated by
Susannah Baker-Smith and Susan Bright.
Art@Bainbridge is made possible through the generous support
of the Virginia and Bagley Wright, Class of 1946, Program Fund for
Modern and Contemporary Art; the Kathleen C. Sherrerd Program Fund
for American Art; Joshua R. Slocum, Class of 1998, and Sara Slocum;
Rachelle Belfer Malkin, Class of 1986, and Anthony E. Malkin;
Barbara and Gerald Essig; Gene Locks, Class of 1959, and Sueyun
Locks; and Ivy Beth Lewis. Additional support for this exhibition
is provided by the Near Eastern Studies Program, the Office of
Religious Life, and the Department of Religion.
Denilson
Baniwa: Under the Skin of History is co-organized by the Brazil LAB, the
Department of Anthropology, and the Princeton University Art
Museum. Co-sponsors of the project include the High Meadows
Environmental Institute, University Center for Human Values, the
Humanities Council, the Program in Latin American Studies, and the
Princeton Institute for International and Regional Studies.
Additional supporters include the Department of Spanish and
Portuguese, the Department of Art & Archaeology, the Lewis
Center for the Arts, and the Effron Center for the Study of
America.
LATE
THURSDAYS! Thursday-evening
programming is made possible in part by Heather and Paul G. Haaga
Jr., Class of 1970, with additional support from the New Jersey
State Council on the Arts, a partner agency of the National
Endowment for the Arts.
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