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For more information on the exhibitions, including
sponsorship credits, visit Collecting
Inspiration: Edward C. Moore at Tiffany & Co., Hidden Faces:
Covered Portraits of the Renaissance, Anxiety and Hope in
Japanese Art, The Harlem
Renaissance and Transatlantic Modernism, Don't Forget to Call
Your Mother, Sleeping Beauties:
Reawakening Fashion, P. S. Art 2024:
Celebrating the Creative Spirit of New York City Kids,
and The Roof Garden Commission: Petrit Halilaj, Abetare.
Season 2 of Immaterial is
made possible by Dasha Zhukova Niarchos. Additional support is provided
by the Zodiac Fund.
Your support allows the Museum to collect, conserve, and present 5,000
years of world art. Donate now.
Comments are welcome at metmuseum_newsletter@metmuseum.org.
Images: Hans Memling (Netherlandish, active 1465–1494). Portrait of an Old Man, ca.
1475. Oil on wood, 10 x 7 1/4 in. (25.4 x 18.4 cm). The Metropolitan
Museum of Art, New York, Bequest of Benjamin Altman, 1913
(14.40.648). | Sultan Muhammad 'Adil Shah and Ikhlas Khan Riding
an Elephant, Deccan, Haidar 'Ali, Ibrahim Khan, ca. 1645.
Howard Hodgkin Collection, Purchase, Florence and Herbert Irving
Acquisitions, Harris Brisbane Dick, and 2020 Benefit Funds; Howard S. and
Nancy Marks, Lila Acheson Wallace, and Friends of Islamic Art Gifts;
Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and
Joseph Pulitzer Bequest; and funds from various donors, 2022 (2022.198) |
Liz Collin’s “Knitting Nation Phase 4: Pride” in Catherine Lord and
Richard Meyer, Art & Queer Culture (London:
Phaidon, 2019) | Left: Lorenzo
Lotto. Portrait of a Woman (detail), ca. 1505. Oil on wood panel. Musée
des Beaux- Arts, Dijon. Right: Lorenzo
Lotto. Portrait Cover with on Allegory (detail), ca. 1505. Oil on wood
panel. National Gallery of Art, Washington, D.C., Samuel H. Kress
Collection (1939.1.147) | Detail of “Universal Gateway,” Chapter 25 of
the Lotus Sutra, Japan, Kamakura Period (1185–1333), dated 1257.
Handscroll; ink, color, and gold on paper. The Metropolitan Museum of
Art, New York, Purchase, Louisa Eldridge McBurney Gift, 1953. |
William H. Johnson (American, 1901–1970). Woman in Blue, c.
1943. Oil on burlap, 35 x 27 in. (88.9 x 68.6 cm). Clark Atlanta | Sadie
Barnette, Photo
Bar, 2022. Inkjet print with rhinestones in arched
frame, neon, plywood, holographic vinyl upholstery, glitter, plexiglass,
glass crystals, 8-track player, and vintage headphones. The Metropolitan
Museum of Art, New York. Purchase, Alfred Stieglitz Society Gifts and
Anne Levy Charitable Trust Gift, 2023 (2023.360a–g) © Sadie Barnette.
Photo: Phillip Maisel | Jun Takahashi (Japanese, born 1969) for
Undercover (Japanese, founded 1990). Dress, spring/summer 2024.
Reinforced 3-D-printed clear resin containing purple silk plain-weave
roses, green silk velvet leaves, and yellow and purple silk plain-weave
butterflies overlaid with yellow nylon tulle and trimmed with yellow
embossed leather. Courtesy Undercover. Photography © Nick Knight, 2024 |
Kai Barrett (Grade 11), A
Hobby for What (detail), 2024. Acrylic on canvas. Medgar
Evers College Preparatory School, Brooklyn. Art teacher: Diane Aytche
| Pitcher, Tiffany & Co. 1878. Silver, copper, brass,
gold-silver alloy, copper-gold alloy. Private Collection, New York
| Petrit Halilaj, Abetare (detail),
2024, The Iris and B. Gerald Cantor Roof Garden, The Metropolitan Museum
of Art, New York
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