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Lecture
Threading Histories:
Locating the Past in Contemporary Korean Art
Thursday, November 9, 5:30 p.m.
Louise A. Simpson International Building A71
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Panel Discussion
Pan-African
Collecting at HBCUs and Beyond
Thursday, November 16, 5:30 p.m.
Robertson Hall 001
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Opening Soon
The Ten Commandments of Renée Cox
Art on Hulfish
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Opening November
18, this exhibition explores
motherhood, liberation, isolation, self-realization, and joy
through the four-decade career of Renée Cox. The artist works
across a range of media, using her own body to celebrate Black
womanhood, occupy multiple identities and realities, and deconstruct
historical stereotypes.
Mark your
calendar for these upcoming events:
Members Preview: Friday, November
17, 6–8 p.m.
Open House: Saturday, November 18,
1–4 p.m.
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Save the Date
Artist Conversation: Peng Wei
Thursday, November 30, 5:30 p.m.
Art on Hulfish
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The
Beijing-based, internationally recognized artist Peng Wei creates
artworks that reconsider and reckon with traditional Chinese
painting and calligraphy. In this event, Peng will discuss her
practice and her creative process based on literature, philosophy,
gender, and identity with Zoe S. Kwok, Nancy and Peter
Lee Associate Curator of Asian Art. Join us in-person or register for the livestreamed event here.
Reception to follow.
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Drawing Nature from the Collections
Pastels: Creating Perspective with
Color
Thursdays, November 9, 16, and 30,
8 p.m.
Stream it live
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Join us for free
virtual drawing classes taught by artist-instructor Barbara
DiLorenzo. With an emphasis on drawing with pastels on paper, each
lesson is inspired by an artwork depicting nature in the Museum’s
collections. This series is part of Arts and Health Mercer, a
monthlong county-wide celebration of health and well-being through
the arts. Visit the website for a full listing of
related events.
Mark your
calendars for these classes:
November 9: Paul Cézanne’s Mont
Sainte-Victoire
November 16: Howard Russell
Butler’s Northern Lights, Ogunquit, Maine
November 30: Gertrude Magie’s House and Trees
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Images
Photo: Eileen Travell, Courtesy of The
Metropolitan Museum of Art
David C. Driskell, Yoruba Scene, 1974. Fisk University Galleries,
Nashville, Tennessee. © David C. Driskell
Renée Cox, Young Yo Mama
(detail), 1980. Courtesy KODA. © Renée Cox
Left: Photo: Hung Hung; Right: Peng Wei
彭薇, Autumn of Tang Dynasty (唐人秋色),
2008. Princeton University Art Museum. Museum purchase, Fowler
McCormick, Class of 1921, Fund. © Peng Wei
Paul Cézanne, Mont Sainte-Victoire,
ca. 1904–06. Princeton University Art Museum. The Henry and Rose
Pearlman Foundation, on loan since 1976 to the Princeton University
Art Museum. Photo: Bruce M. White
Art on Hulfish is made possible by the
leadership support of Annette Merle-Smith and Princeton University.
Generous support is also provided by William S. Fisher, Class of
1979, and Sakurako Fisher; J. Bryan King, Class of 1993; the New
Jersey State Council on the Arts, a partner agency of the National
Endowment for the Arts; John Diekman, Class of 1965, and Susan
Diekman; Julie and Kevin Callaghan, Class of 1983; Annie Robinson
Woods, Class of 1988; Barbara and Gerald Essig; Rachelle Belfer
Malkin, Class of 1986, and Anthony E. Malkin; the Curtis W. McGraw
Foundation; Tom Tuttle, Class of 1988, and Mila Tuttle; the Len
& Laura Berlik Foundation; Nancy A. Nasher, Class of 1976, and
David J. Haemisegger, Class of 1976; Gene Locks, Class of 1959, and
Sueyun Locks; and Palmer Square Management.
Additional support for The Ten Commandments of Renée Cox
is provided by the Department of African American Studies and the
Effron Center for the Study of America.
Art@Bainbridge is made possible through the
generous support of the Virginia and Bagley Wright, Class of 1946,
Program Fund for Modern and Contemporary Art; the Kathleen C.
Sherrerd Program Fund for American Art; Joshua R. Slocum, Class of
1998, and Sara Slocum; Rachelle Belfer Malkin, Class of 1986, and
Anthony E. Malkin; Barbara and Gerald Essig; Gene Locks, Class of
1959, and Sueyun Locks; and Ivy Beth Lewis.
Additional support for Threading Memories / MiKyoung Lee
is provided by Nancy C. Lee, the P. Y. and Kinmay W. Tang Center
for East Asian Art, the Department of East Asian Studies, and the
Program in Asian American Studies.
LATE THURSDAYS! Thursday-evening programming
is made possible in part by Heather and Paul G. Haaga Jr., Class of
1970, with additional support from the New Jersey State Council on
the Arts, a partner agency of the National Endowment for the
Arts.

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