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Art on
Screen: Raphael: The Young Prodigy
WHEN: Wednesday,
April 6, 7:30 PM
WHERE: Bickford Theatre, 6 Normandy Hgts. Rd., Morristown
Raphael: The
Young Prodigy tells the story of the Italian Renaissance
artist from Urbino, starting from his extraordinary portraits of
women – the Mother, the Friend, the Secret Lover and the Client. From
portraits of his mother, who died when the painter was only 8 years
old, to the female admirers who helped him on his road to success,
Raphael, (1483-1520), was able to portray an ideal of celestial
beauty, and to focus his gaze more on the psychology of his subjects’
features than on their physical form, so that their personalities
emerge in a striking manner. This documentary film will enable
audiences to discover the life and times of one of the most
influential Renaissance painters.
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Bickford
Theatre COVID Guidelines
All patrons
12 years and older must provide proof of full vaccination, currently
2 shots of either Pfizer or Moderna, or one of Johnson and Johnson,
and corresponding ID. All sales are final. All patrons are required to
wear a face mask for the entire time they are inside at the Morris
Museum and Bickford Theatre. For assistance, call the box office at
973-971-3706.
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National
Theatre Live: A View From the Bridge
WHEN: Sunday, April
10, 2:00 PM
WHERE: Bickford Theatre, 6 Normandy Hgts. Rd., Morristown
Filmed live
onstage from London’s West End, Arthur Miller’s dark and passionate
play A View from the Bridge returns exclusively to
cinema screens.
Ivo Van Hove
(All About Eve, Network) directs Mark Strong (The Imitation
Game; Tinker Tailor Soldier Spy) and Nicola Walker (The
Split, Last Tango in Halifax) in this ‘magnetic, electrifying,
astonishingly bold’ production (Evening Standard).
In Brooklyn,
longshoreman Eddie Carbone welcomes his Sicilian cousins to the land
of freedom. But when one of them falls for his beautiful niece, they
discover that freedom comes at a price. Eddie’s jealous mistrust
exposes a deep, unspeakable secret – one that drives him to commit
the ultimate betrayal.
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The Morris
Museum gratefully acknowledges generous operating support from the
following funders:
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