For more information about the exhibitions, including
sponsorship credits, see The New Woman Behind
the Camera, The Medici:
Portraits and Politics, 1512–1570, Selections from the
Department of Drawings and Prints: Revolution, Resistance, and Activism,
Companions in
Solitude: Reclusion and Communion in Chinese Art, Jules Tavernier and
the Elem Pomo, Spain, 1000–1200:
Art at the Frontiers of Faith, Alice Neel: People
Come First, The Roof Garden Commission: Alex Da Corte, As Long as the Sun Lasts,
A New Look at Old
Masters, Karl Bodmer: North American Portraits,
Shapes from Out of
Nowhere: Ceramics from the Robert A. Ellison Jr. Collection,
and P.S. Art 2021:
Celebrating the Creative Spirit of New York City Kids.
The Primer is made possible by Barbara A. Wolfe.
It is supported by Bloomberg Philanthropies and the Director's Fund.
Your support allows the Museum to collect, conserve, and present 5,000
years of world art. Donate now.
Comments are welcome at metmuseum_newsletter@metmuseum.org.
Images: | Unknown. Tsuneko
Sasamoto, Tokyo, 1940. Inkjet print, 2020, 18.2 cm x 18.2 cm
(7 3/16 in. x 7 3/16 in.). Courtesy Tsuneko Sasamoto / Japan Professional
Photographers Society | Bronzino (Agnolo di Cosimo di Mariano) (Italian,
Monticelli 1503–1572 Florence). Portrait of a Young Man,
1530s. Oil on wood, 37 5/8 x 29 1/2 in. (95.6 x 74.9 cm). H. O. Havemeyer
Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.16) | José
Clemente Orozco, On the Road (or
'Rear Guard'): women carrying children and guns (detail),
1929. Lithograph. Harris Brisbane Dick Fund, 1929. © 2021 Artists Rights
Society (ARS), New York (29.63.4) | Attributed to Jiang Song (Chinese,
first half of 16th century). Winter Landscape,
first half of 16th century, Ming Dynasty (1368–1644). Handscroll; ink on
paper, H. 12 1/4 in. (31.1 cm), W. 277 in. (703.6 cm). The Metropolitan
Museum of Art, New York, Seymour Fund, 1955 (55.124) | Jules Tavernier
(American, born France, 1844–1889). Dance in a
Subterranean Roundhouse at Clear Lake, California
(detail), 1878. Oil on canvas, 48 x 72 1/4 in. (121.9 x 183.5 cm). The
Metropolitan Museum of Art, New York, Marguerite and Frank A. Cosgrove
Jr. Fund, 2016 (2016.135) | Camel from the Church of San Baudelio de Berlanga
(detail), Spain, first half of the 12th century (possibly 1129–34).
Fresco transferred to canvas. The Metropolitan Museum of Art, New York,
The Cloisters Collection, 1961 (61.219) | Alice Neel. Geoffrey Hendricks and Brian
(detail), 1978. Oil on canvas. San Francisco Museum of Modern Art,
Purchase, by exchange, through an anonymous gift. © The Estate of Alice
Neel | Photograph of Alex Da Corte taken by Alex John Beck | Karl Bodmer
(Swiss, Riesbach 1809–1893 Barbizon). Péhriska-Rúhpa,
Hidatsa Man (detail), 1834. Watercolor and graphite on
paper. Joslyn Art Museum, Gift of the Enron Art Foundation (1986.49.275)
| Babs Haenen. Spring Dunes
(detail), 1988. Porcelain, 15 1/8 in. (38.4 cm). The Metropolitan Museum
of Art, New York, Gift of Robert A. Ellison Jr., in celebration of the
Museum's 150th Anniversary, 2020 (2020.296.35). Courtesy Hostler Burrows,
New York. Photography by Robert A. Ellison Jr. | Julissa Bruno (Grade
12), La Reina de Las Chucherías (The Queen of Candies), 2021. Oil
painting on canvas paper. School: Humanities and Arts Magnet High School,
Queens. Art Teacher: Jane Judson
|